Peter Mumford

For the Royal Court: Escaped Alone, The Wolf From The Door, In The Republic of Happiness, Circle Mirror Transformation, Jumpy (& West End), Our Private Life, Sucker Punch, Drunk Enough To Say I Love You (& Public Theater, NYC), The Seagull (& Broadway), Love & Information (& Minetta Lane, NYC), Dying City.

Other theatre includes: Mr Foote’s Other Leg, A Christmas Carol, Women on the Verge of a Nervous Breakdown, Donkey Heart, Stephen Ward, Top Hat (West End); Stepping Out (Theatre Royal, Bath/UK Tour); Bull (Young Vic); Little Eyolf, Ghosts (& West End/BAM), Bakkhai (Almeida); Long Day’s Journey Into Night (Bristol Old Vic); High Society, Other Desert Cities (Old Vic); King Kong (Regent, Melbourne); King Lear (Chichester Festival/BAM); Scenes from an Execution, Bacchai (National); Wonderland, The Last Of The Duchess, Enlightenment (Hampstead). 

Opera & Dance includes: Manon Lescaut (Metropolitan Opera, NYC); Andrea Chénier (Opera North); Carmen (Royal Ballet/Carlos Acosta); The King Dances, Faster, E=mc2, Take Five (Birmingham Royal Ballet); Carmen (Miami City Ballet/Richard Alston); Ein Reigen (Vienna State Ballet); Katya Kabanova (Boston Lyric Opera); Manon Lescaut (Baden Baden); Werther, Madama Butterfly, Faust (Metropolitan Opera); La Traviata (Glyndebourne); The Damnation of Faust, Madame Butterfly (ENO); Pelléas et Mélisande (Mariinsky).

Awards include: Olivier Award for Outstanding Achievement in Dance (The Glass Blew In); Olivier Award for Best Lighting Design (The Bacchai); Knight of Illumination Award (Sucker Punch); Helpmann Award for Best Lighting (King Kong); Green Room Award for Best Lighting (King Kong). 

Peter has directed and designed concert stagings of The Flying Dutchman and The Ring Cycle for Opera North. In addition to Peter’s Lighting Design work, he also designed the sets for Dying City at the Royal Court and Carmen at Miami City Ballet.