Charlotte Padgham

For the Royal Court: Baghdaddy, Living Archive, For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy [job share], Rare Earth Mettle, Living Newspaper, all of it, Midnight Movie, Cyprus Avenue JTD, ear for eye, Girls & Boys, a profoundly affectionate, passionate devotion to someone (-noun), hang, Posh (& West End), truth and reconciliation, Catch, On Insomnia and Midnight, The Winterling, My Name is Rachel Corrie (& West End), Fireface, The Force of Change, Dublin Carol.  

Other theatre includes: The Dry House (Marylebone Theatre); Hamlet, King Lear (Globe); Life of Galileo (Young Vic); Complicit, Speed-the-Plow, All About My Mother, The Entertainer (Old Vic); Aristocrats, Appropriate, Fathers and Sons (Donmar); Chimerica (& West End), Game (Almeida); The Invisible Hand, The House That Will Not Stand, Red Velvet(& NY), The Bomb: a partial history, The Riots, Tactical Questioning, Greta Garbo Came to Donegal (Kiln); Shopping and F***ing, Herons, Tipping the Velvet (Lyric Hammersmith); nut (National).  

Charlotte has also worked at Trafalgar Studios, The Gate, Soho and Hampstead theatres, and for The Philip Lawrence Awards, Shared Experience and Les Enfants Terribles. She has been a visiting professional, assessor & mentor to stage management students at the Royal Central School of Speech and Drama since 2006.