Debbie Hannan

As director, for the Royal Court: Pah-La, Latir (& Compania Nacional de Mexico), Primetime, Who Cares, Spaghetti Ocean, Peckham: The Soap Opera.

As assistant director, for the Royal Court: The Mistress Contract, The Nether, Teh Internet is Serious Business, Birdland, How to Hold Your Breath, God Bless the Child.

As director, other theatre includes: The Strange Undoing of Prudencia Hart (Royal Exchange, Manchester); Overflow (Bush); The Panopticon (National Theatre of Scotland); Little Miss Burden (Bunker); Thee Ugly One (Tron); Things of Dry Hours (Young Vic); Cuckoo, The Session (Soho); Shielders (Traverse); Unprecedented – The Unexpected Expert (Headlong/BBC Arts/Century Films); Isolation (National Theatre of Scotland/Summerhall); Girl Meets Boy (Yard/National Theatre of Scotland); Lot & His God, Notes from the Underground (Citizens Theatre); Pandora (Etch/Pleasance); The Angry Brigade, The Wonderful World of Dissocia, liberty, equality, fraternity (RCS); After the Rhinoceros: The Red Pill, What We Know, Killer Joe, Conspiracy (RWCMD).

As associate director, other theatre includes: Our Ladies of Perpetual Succour (West End/International tour); Constellations (West End/UK tour); Little on the Inside (Clean Break).

As assistant director, other theatre includes: The Maids, Sleeping Beauty (Citizens); A Pacifist’s Guide to the War on Cancer (Complicite/National); Enquirer, A Doll’s House (National Theatre of Scotland).

As writer, theatre includes: Shame: A Double Bill (Bang Bang Bang Group); Vinyl Idol [co-writer] (Òran Mór).

As director, awards include: Genesis Future Director Award.

As associate director, awards include: Olivier Award for Best Revival (Constellations).