Katie Mitchell

For the Royal Court: Ophelias Zimmer (& Schaubühne, Berlin), 2071, Ten Billion, The City, The Country, Forty Winks, Nightsongs, Mountain Language/Ashes To Ashes.

Other theatre includes: Shadows (Eurydice Speaks) Lungs, The Yellow Wallpaper (Schaubühne, Berlin); Cleansed, Women of Troy, Three Sisters, Waves (National); Reisende auf einem Bein, Happy Days, The Reset Will Be Familiar To You From Cinema (Schauspielhaus, Hamburg); Brandstichter Festival (Stadschouwburg, Amsterdam); The Cherry Orchard (Young Vic); The Forbidden Zone (Salzburg Festival/Schaubühne, Berlin); A Sorrow Beyond Dreams (Vienna Burgtheater); Say it with Flowers, The Trial of Ubu (Hampstead); Night Train (Schauspiel, Köln/Avignon Festival/Theatertreffen); Rings of Saturn, Waves (Schauspiel, Köln).

Opera includes: Lucia di Lammermoor, Clemency (ROH); Pealleas et Melisande, Alcina, Trauernacht, The House Taken Over (Aix-en-Provence Festival); The Way Back Home (ENO/ Young Vic); Le Vin Herbe (Staatsoper, Berlin); Written on Skin (Aix-en-Provence Festival/ROH); Al Gran Sole Carico D’Amore (Staatsoper, Berlin/Salzburg Festival); Orest (De Nederlandse Opera).

Film includes: Untitled Short Film, The Turn of the Screw, Widowing of Mrs Holroyd, Jenufa, Rough for Theatre 2.

Katie has been an Associate Director at the RSC, National Theatre and The Royal Court Theatre. She was awarded an OBE in 2009 for services to Drama and has recently been appointed as the Visiting Chair in Opera Studies at Oxford University for 2016-17.