Merle Hensel

For the Royal Court: a profoundly affectionate passionate devotion to someone (-noun), X, The Mistress Contract.

Other theatre includes: Macbeth (Costumes only) (Young Vic); Arden of Faversham (RSC); Much Ado About Nothing (Royal Exchange, Manchester); Protest Song (National); Macbeth (National Theatre of Scotland / Lincoln Center / Broadway / Japanese Tour); Green Snake (National Theatre of China), 27, The Wheel (National Theatre of Scotland); Glasgow Girls (National Theatre of Scotland and Nationwide Tour); The Shawl, Parallel Elektra (Young Vic); Shun-Kin (Theatre de Complicite); The Girls Of Slender Means (Stellar Quines Theatre Company); Diener Zweier Herren (Schlosstheater Vienna); Ippolit (Sophiensaele, Berlin; Schauspielhaus Zürich; Münchner Kammerspiele); Der Verlorene (Sophiensaele, Berlin); Kupsch (Deutsches Theater, Göttingen).

Opera includes: Maria Stuarda (Vereinigte Bühnen, Mönchengladbach/Krefeld); Der Vetter Aus Dingsda (Oper Graz); Lunatics (Kunstfest Weimar); ‘Münchhausen, Herr Der Lügen (Neuköllner Oper, Berlin).

Dance includes: Tenebre (Ballett am Rhein); The Barbarians In Love (Costumes only), Sun, Political Mother (Hofesh Schechter Company); Lovesong (Frantic Assembly); James Son Of James, The BulL, The Flowerbed (Fabulous Beast Dance Theatre); Justitia, Park (Jasmin Vardimon Dance Company); Human Shadows (Underground7; The Place Prize).

Film includes: Morituri Te Salutant, Baby.

Merle Hensel works internationally in a wide variety of styles and genres. She also is a lecturer at Central St Martins School of Art and Design in London. Other teaching includes Rose Bruford College and Goldsmiths.