Rachel Chavkin

For the TEAM: The Holler Sessions (On The Boards), Waiting For You on the Corner of… (Sojourn/Kansas City Rep), Mission Drift (Almeida/PS122/Culturgest/International Tour), Architecting (National Theatre of Scotland/PS122/International Tour), Particularly in the Heartland, Give Up! Start Over!, A Thousand Natural Shocks, Howl.
Other theatre includes: Iphigenia at Aulis (Classic Stage Company); Preludes (Lincoln Center); Small Mouth Sounds (Ars Nova); The Royale (Old Globe/Lincoln Center); Natasha, Pierre & The Great Comet of 1812 (Ars Nova/Commercial Transfer/A.R.T); Aaron/Marie (The Public/Under the Radar); Catch 22 (Northern Stage/Tour); Confirmation (Warwick Arts Centre/Northern Stage); Fairytale Lives of Russian Girls (Yale Rep); The Hatmaker’s Wife (Playwrights Realm); Reception (TerraNOVA); Three Pianos (A.R.T/New York Theater Workshop/Ontological-Hysteric); The Lily’s Revenge (HERE); The Agee/Evans Project (Pace/Montclair State) Acquainted with the Night, Wonder: An Amer. Hymn to the Shimmer of Television & the End of History (New York University Graduate Acting Department); The Saints Tour (Site Specific/Motherlodge Festival); Uncle Vanya (Classic Stage Company).
Awards include: Obie Award (Natasha, Pierre, and the Great Comet of 1812; Three Pianos); The New York Times, Time Out New York, & The New York Post Critics’ Pick (Natasha, Pierre, & the Great Comet of 1812).