Simon Stephens

For the Royal Court: Birdland, Wastwater, Bluebird, Herons, Country Music, Motortown.

Other theatre includes: The Threepenny Opera, Harper Regan (National); The Curious Incident of the Dog in the Night-Time (National/West End/Broadway); Port (Royal Exchange, Manchester/National); Rage (Thalia, Hamburg); Blindsided, On the Shore of the Wide World (Royal Exchange, Manchester); Carmen Disruption (Deutsches Schauspielhaus, Hamburg/Almeida); Sea Wall (Bush); Pornography (Deutsches Schauspielhaus, Hamburg/Traverse/Birmingham Rep/Tricycle); Punk Rock (Lyric, Hammersmith/Royal Exchange, Manchester); A Doll’s House (& West End), The Cherry Orchard, Songs From Faraway, I Am The Wind (Young Vic); Three Kingdoms (Lyric, Hammersmith/Tallinnand, Munich); Morning (Lyric); Heisenberg (MTC, New York); The Funfair (Home).

Radio includes: Five Letters Home to Elizabeth, Digging.

Television includes: Dive, Pornography, Cargese.

Awards include: Tony Award for Best Play, Olivier Award for Best New Play (The Curious Incident of the Dog in the Night-Time); Theater Heute’s Award (Motortown, Pornography, Wastwater); Manchester Evening News Award for Best Production (Punk Rock); Olivier Award for Best New Play (On the Shore of the Wide World); Pearson Award for Best Play (Port).

Simon is Artistic Associate at the Lyric, Hammersmith and Associate Playwright at the Royal Court. He was also on the board for Paines Plough between 2009 and 2014, and was a writers’ tutor for the Young Writers’ Programme at the Royal Court between 2001 and 2005.