Tom Scutt

For the Royal Court: Constellations (& West End), The Djinns of Eidgah, The Ritual Slaughter of Gorge Mastromas, No Quarter, Remembrance Day.
Other theatre includes: East is East (Trafalgar Studios); King Charles III (& Almeida), Absent Friends (West End); Medea, 13 (National); Mr Burns; King Lear; Through A Glass Darkly (Almeida); The Weir (Donmar/West End); A Number (Nuffield, Sheffield); South Downs/The Browning Version (West End/Chichester Festival); The Life of Galileo (RSC/Birmingham Rep/UK tour); Romeo & Juliet, The Merchant of Venice (RSC); A Midsummer Night’s Dream, Edward Gant’s Amazing Feats of Loneliness (Theatre Royal, Plymouth/Headlong); The Lion, the Witch & the Wardrobe (Kensington Gardens); Hamlet (Sheffield Theatres); Mogadishu (Royal Exchange, Manchester/Lyric, Hammersmith); Cinderella, Jack & the Beanstalk, Aladdin, Dick Whittington (Lyric, Hammersmith); Vanya, Unbroken, The Internationalist (Gate); Bay (Young Vic); The Merchant of Venice (Octagon, Bolton); Metropolis (Theatre Royal, Bath).
Opera includes: How The Whale Became (ROH); Wozzeck (as Set Designer) (ENO); The Flying Dutchman (Scottish Opera); Rigoletto (Opera Holland Park).
Awards include: The Linbury Biennial Prize for Stage Design, The Jocelyn Herbert Award, WhatsOnStage Award for Best Set Designer (Constellations; The Lion, the Witch & the Wardrobe).
Tom is Associate Designer for the Nuffield Theatre.