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…access a digital version of the playtext for free on request. Please email boxoffice@royalcourttheatre.com if the audio play is not accessible to you and you’d like to read the work….
https://www.amazon.co.uk/Black-Box-Thinking-People-Mistakes-But/dp/1591848229 https://www.amazon.co.uk/Black-Box-Thinking-People-Mistakes-But/dp/1591848229 Monday 23rd January 2023 at 10am…
…the piece to really be made, and to taste – I imagine – fucking fantastic! If this is a piece born out of a nuanced and complex theoretical understanding, it…
…a musical based on Roald Dahl’s much-loved novel, has been a magnificent success, both commercially and critically, on the West End and Broadway for the duration of this decade.” …
…output in the past fifteen years has been simply breath taking. He has written with energy and tireless commitment for radio, television, film and stage alike. He has written the…
…and also for computer games. Notably for television with a TV series she has confessed to a complicated relationship with, The Secret Diary of a Call Girl, and my 14…
…her university and working life she continued to write. It was in 1996, when her play Skeleton was commissioned by the Soho Theatre Company, that she was able to commit…
…most compelling and young stage actors in Britain. Nuanced, poised performances in August Wilson’s Joe Turner’s Come and Gone and Terel McRany’s The Brothers Size at the Young Vic were…
…He was also an early collaborator with Max Stafford-Clark when his Joint Stock Company produced Epsom Downs in 1977. Brenton was fundamental to the foundations of the National Theatre –…
…Morgan’s stage writing. A dramatization drawn from an actual event, it was formally searching and unflinching in its examination of sexuality and sexual politics. It placed the vicissitudes of identity…
…time that is both searching an authenticity and making sense of an instinct to insist upon the validity of the individual’s voice. Or perhaps it’s just that, however instinctive or…
…at the Manhattan Theatre Company but it was her play from 1988 – her adaptation with Stafford Clark of Tomas Kennealley’s novel The Playmaker – Our Country’s Good that she…
…conversation has been transcribed and can be accessed here: https://royalcourttheatre.com/podcasts/playwrights-podcast-transcript-of-series-6-episode-1-amir-gudarzi-talks-to-omar-elerian/ Full introduction by Omar Elerian: Hi my name is Omar Elerian and I’m a freelance theatre maker & director of…
…has been transcribed and can be accessed here: https://royalcourttheatre.com/podcasts/playwrights-podcast-transcript-of-series-6-episode-3-nazareth-hassan-talks-to-omar-elerian/ Full introduction by Omar Elerian: So, today I’m with Nazareth Hassan. Nazareth Hassan is an interdisciplinary artist working in writing, performance,…
…conversation has been transcribed and can be accessed here: https://royalcourttheatre.com/podcasts/playwrights-podcast-transcript-of-series-6-episode-2-pablo-manzi-talks-to-omar-elerian/ Full introduction by Omar Elerian: Pablo Manzi has developed most of his work as a playwright with the Chile-based collective…
…has been transcribed and can be accessed here: https://royalcourttheatre.com/podcasts/playwrights-podcast-transcript-of-series-6-episode-4-caro-black-tam-talks-to-omar-elerian/ Full introduction by Omar Elerian: Caro is a Bachelor of Psychology with experience in social research in public policies. They have…
…spaces during the pandemic, and where theatre and music intersect and divide. You can watch extracts from Edition 1 and Edition 2 at royalcourttheatre.com/living-newspaper-clippings. This conversation has been transcribed and…
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